My first drum set was a couple of coffee cans hung on the back of a dining room chair. I rigged this setup when I was eight in order to play along with my heroes the Banana Splits. Always on the lookout for potential aptitude, my mother gifted me the next Christmas with a proper kiddie set, which my little brother promptly destroyed. It wasn’t until a decade later, and the advent of punk rock, that I fancied another go. My mom gifted accordingly, and as 1978 dawned, I pressed my pal Jack Knetzger into service.
I tried to force him to switch alliegance from classic rock to that of my new heroes. But the truth is, all we did at first was make an awful lot of noise, all feedback, string bending and marching band beats. Somewhere around the time I started figuring out how to syncopate my arms and legs, Jack started bringing homegrown songs to the table. They weren’t punk; they were that kind of Beatles-influenced white boy guitar pop typified back then by the likes of Todd Rundgren or maybe Lindsey Buckingham. We applied Jack’s Jimi Hendrix filter and my demand for raw punk rock tempos, and we christened it the Atomic Bomb Club.
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