Archive for the 'Trash' Category



If you’re lucky, and you haunt your local dollar bins long enough, you’ll still find albums on the Alshire label. But the best ones are getting harder and harder to find. You’ll still come across the odd 101 Strings album, provided it doesn’t have hot models in skimpy sixties getups on the cover — most […]

Wurzburg 1945-1955

I had the recent pleasure of spending a cross-country plane ride with “The New Kings of Nonfiction,” a collection edited by “This American Life” host, Ira Glass. As usual, despite the book’s focus on “the new,” it was the old I was most drawn to — specifically, an article on World War II by Lee […]

1975: And The Changes To Come

Nowadays, it’s pretty much over. We’re all slowly coming awake to the realization that we’ve squandered vast tracts of our future for an illusory past, our intellectual capitol for a culture that’s lost its memory, our once-noble ambitions for a population hooked on cheap thrills, our emotional strength for a brittle autophobia. Boxed in by […]

I first discovered Michael Monti’s “100 South Mill Avenue” blog after he dropped some praise on my scans of an old menu from his family’s La Casa Vieja restaurant. “As a restaurateur and history buff,” He wrote, “I can assure you that these will be appreciated as a goldmine of nostalgia and useful information about […]

Tucson merchant Jack “The Color TV King” Fitzgerald carved out a name for himself back in the mid-70s with a series of distinctive late-night television commercials. Standing among a pile of teevee sets and packing crates, he would harangue the viewer with a pitch that always began with a simple, effective, “Hi folks…” You could […]

Our stamp series has been so wildly popular among Bostworld readers that I couldn’t resist doing one final episode. This time we bring you two empires, one on the wax and one on the wane, along with some of the smaller satellites pulled along in their wake. While the British Empire both celebrates and defends […]

Edited for brevity and selected to exclude any dissenting opinion, the page portrays a public squarely in favor of sanctioned governmental murder.